Wednesday, June 2, 2010

Stacey Gillespie- The Man of 1000 Faces




Watching any indie short film or feature coming out of Kentucky, invariably the name of Stacey Gillespie will be found somewhere in the credits, and maybe more than once! Stacey epitomizes the indie film actor: hard-working, resilient, patient, able to put up with rough conditions for hours on end, and passionate about independent film. Without a doubt, he is one of the individuals that one can say has paid his dues, and then some.

With literally several hundred credits to his name over the past several years, I wanted to get a better look into the mind of Stacey Gillespie. With a humble and down to earth nature that is not altogether common in the entertainment industry, Stacey comes across as a soft-spoken and very laid back individual. Under that mild demeanor, however, is a guy that is zealous about indie film, and who is absolutely dedicated to improving his skills as an actor.

With no formal acting background, Stacey is one of those people who honed his craft by simply jumping into the deep end of the pool and doing it. From his legendary 17 acting parts in Zombie Planet, on up to the film he is working on now, Santa Vs. Zombies, Stacey has answered the call of director after director, becoming a real asset to any project that he is a part of.

Stacey is also a burgeoning filmmaker as well, currently immersed in the post-production phase of his fantasy feature Eyes of Darkness.

So without further delay, let's make a little foray into the world of Stacey Gillespie, from his acting roles, to his feature, his thoughts on indie film, and even a bit about the rumored Gillespie Fest coming this fall!


-Stephen Zimmer for Indie Movie Masters Blog, June 3, 2010



SZ: What inspired you to pursue acting?

SG: I sorta became an actor by accident. A good friend of mine asked me to go to an audition with him that he had heard about in a newspaper. He had never done any acting before and I did a play or two in elementary and high school. It was for a movie called Zombie Planet. So we went to it and talked to a few people who were cast in it, and some of the crew involved. We talked to the director George Bonilla and he told us a little about the film, and some of the acting roles and crew he had available. At the time I became quite inspired because I had never worked on a movie before, so I was pretty excited and wanted to learn more about it. They were doing a test shot called day for night, where they shoot in the day time, and later use the footage as night shots. I was asked to be a zombie for the shoot as a test subject. So they put me in a makeup chair for 4 hours, where they put latex and tissue paper and painted my entire face and arms. I wore this old torn shirt that said I Saved A Life from the Central Kentucky Blood Center, and we went downtown Lexington in an alleyway where I would have to jerk and growl and stumble and knock over trash cans and furniture, looking for pieces of human flesh to consume. Well I guess the director liked what I did, and he was so encouraging to me that I decided to get more involved in that side of filmmaking. I sorta developed what a lot of actors call the “acting bug”. It is the passion of it that gets in you, and you want more of it.

SZ: Did you have any acting background of any kind, in terms of theater or school?

SG: Not really. I mean I did a few things like Snow White And The Seven Dwarves in elementary school, and a play someone wrote in high school, but I didn’t do anything much other than that. I went to Berea College but I didn’t study acting there. Although, I became good friends with Jeffrey Reddick, who asked me to help him with some dialog in some of his screenplays he was writing. Who would have thought then that I was friends with the guy who wrote Final Destination, a Hollywood Horror original. Very cool.

SZ: What is the first independent film role that you had?

SG: Well, the very first was the zombie role that I had mentioned earlier, but the first speaking role I had was Fred the Dregg that was also in Zombie Planet, where I played a radio operator trying to get support and food from the government to survive the zombie plague. I got soup thrown at me by a bunch of bad guys called the Upper Class. My first bad guy role I played, if I may, was a racist redneck who pretended to be best friends with a guy in order to steal coalmining rights in the film Forever In Black Hills.

SZ: How many parts did you play in Zombie Planet?

SG: I played 17 different roles in Zombie Planet, and it started out just being around when they needed some people to play extras in different scenes. They would always grab me and place me somewhere and put me in the appropriate costumes for each scene. Well after about 6 different times doing that, they decided to see how many times they could get away with sticking me in the movie. They used hats and scarfs, coats, zombie makeup and anything to disguise me. The very last role I had a prosthetic nose made, darkened my hair, darkened my skin and put cotton balls in my mouth to make me look Italian where I got shot in the head. Now it is a drinking game too, so that when ever you see me in the film, you take a drink. You are guaranteed to feel pretty good.

SZ: How many film credits do you have today?

SG: I have a scrapbook at home, and I try to remember to log everything that I do. I have been acting for ten years this year, and including acting roles and working on crew I estimate I have around 450 to 500 credits.

SZ: What film are you working on right now?

SG: I am working on Santa vs. The Zombies, a PG Christmas movie, and starting Bunker of Blood, a bloody soldier massacre. I finished up part 2 of a Dumb and Dumber meets American Pie film called Kildo 2 by David Gooslin, a sequel to the first which seemed to be a big hit. A few music videos and educational training videos as well.

SZ: What have you discovered to be the most important, in terms of continuing to be an active independent film actor?

SG: Well for me it takes ambition, dedication, passion (the biggest of all) dependability, and most importantly respect. I always try to give the director exactly what he or she wants, and to make sure I know my lines, and to always be there on time. I did a seminar at the World Independent Film Expo talking about different things an actor should remember, and knowing your character and giving respect to each project are two of the things that I touched on the most.

SZ: What are the most common mistakes made by independent film actors, in your opinion?

SG: Gosh, I guess some of the common things I see is being late for the shoot, not knowing your lines or what scene is being shot, or blatantly not showing up at all, and not calling anyone to let them know. I have seen issues of money get in the way of actors and projects. I have seen some actors deal with overbooking themselves with 2 or more shoots at the same time, which can cause relational problems in the future with them and the director. And occasionally, you will run across an actor that who has developed what I call “gone Hollywood”, where they get the Hollywood syndrome and tend to act as though they are on the same status as a Hollywood actor, and respect for the project has left the building in terms of the director and other actors. These are some of the things that I have seen over the years.

SZ: What are your long term goals?

SG: I guess the same as many other fellow actors, to perhaps one day make this a fulltime career, and try to grow to become a better actor, and taking on challenges that have not been explored yet, be it larger projects, more difficult roles, or roles that have not been done. For me I can’t put the money first, for I want it to remain a passion first. I don’t want to lose that “love for acting as an art”. I think one can lose who they are if this escapes them. I would love to perhaps move to New York or California and try my luck there. I want to try working with some national commercials, TV, and Hollywood film, perhaps even become SAG.

SZ: Rumor has it that there is a Stacey Gillespie Fest in the works, which will have films that you have appeared in. Is this rumor true, and if so, where is this very interesting project at right now?

SG: Ha ha yes, this is true although it may not involve me in every film, but Belinda Cook came up with the idea, and this year I decided to go forth with it. I plan to have it in Sept. around my birthday to celebrate that and my tenth year as an actor. My hopes are to have it at the Kentucky Theater on a weekend, and to have a possible premier of a film, some comedians, and a live band. But since I am passionate about the cancer society I want to donate some money to a cancer charity, because my mother had cancer back in ’97, which she was fortunate to survive. But I want to support that cause using this event. It will be more or less a celebration. I will even include the best Stacey joke contest where a prize will be given.

SZ: What are you favorite films as a movie fan?

SG: My all time favorite film is Lord Of The Rings trilogy. Love that genre. I own any movie that deals in that genre. But I like anything that has to do with action, sci-fi, comedy and even drama. And of course, I like a good horror film involving either intellect or just straight out blood and gore.

SZ: Who are your favorite actors?

SG: My favorite actors would include Harrison Ford, Jack Nicholson, Arnold Swartzenagger, Ashley Judd, Bruce Willis, Clint Eastwood, John Wayne, Scarlet Johanson.

SZ: What actors in Hollywood would you compare your style and look to?

SG: My aunt always says I look like Nicholas Cage or Bruce Willis. Charles Shouse, director of Forever In Black Hills always says I favor Jason Statum. I think my style would mostly represent, depending on the role, would be Harrison Ford for his great facial expressions, Jim Carrey for his outrageous extreme comic behavior, Bruce Willis for his sarcasm, and ability to play various roles, and Liam Neeson for his serious delivery.

SZ: Tell us a little about your fantasy feature In The Eyes Of Darkness. What is it, and when will it be premiered?

SG: Well, after about 3 years into being apart of the independent Kentucky film culture, I had gained a lot of experience in front of the camera and behind, so I decide to tackle a film of my own. So I bought a camera and asked a few writers about how they chose the film that they did. From what I gathered, I learned to write what you know, and are passionate about. My passion was in the fantasy realm, and Lord Of The Rings was my favorite film, so I decided to do a fantasy feature. I titled it In The Eyes Of Darkness. It is about a kingdom called Graystone, where all is peaceful and good until people of the region start to disappear. Well, men were sent out to investigate the problem and they would end up missing as well. Therefore, even more people such as soldiers and rangers were sent to investigate as well and, of course, they would not return either. So within a monk village an elf and his sister decide to go and figure things out for themselves knowing they have no experience in such things. However, one of the monks of the village demand that an experienced holy warrior go with them. So along their journey they team up with a cocky barbarian and his strange sidekick dwarf, as they go seek to find the evil taking over the land. They come across the evil lair of an ancient creature, where they find themselves helpless as they battle the evil force, trying to survive themselves. But that is the premise of the film, and it is, as I have been told, the first attempt to do a fantasy feature on a independent level. The film is in the editing stage, and I hope to have a premiere date sometime in early 2011. The film is encased with swords magic, battle scenes, drama, gore, unique creatures, and mind-blowing scenery. The films website is geocities/eyesdarknessmovie.com.

SZ: Where can people find you or connect to you on the internet?

SG: I can be found on Myspace, Facebook or Twitter under my name Stacey Gillespie. My email address is staceytgill@hotmail.com. I am working on a Man Of A Thousand Faces website, to be available soon. I was given the nickname earlier in my acting career.

I wanted to thank Stephen Zimmer for his interest in the independent film community in Kentucky, and wanted to encourage anyone to check out his ingenious writing abilities, including his new book The Storm Guardians, Book Two of the epic urban fantasy series The Rising Dawn Saga. Stephen is a very talented writer, and is now doing book signings across the country. Thanks Stephen for the wonderful interview, and look forward to connecting with you again.

Tuesday, March 9, 2010

Eric Butts-The Man Behind the Madness!

One of the more unusual fellows that you will encounter in the Kentucky indie film community, Eric Butts is a very talented guy who brings a depth of technical and historical knowledge to any project that he delves into. In addition to being a filmmaker, he is also a very capable talent in music, perfectly capable of being a one-man rock band in a studio environment.

I had the pleasure of working with Eric when I directed Shadows Light, and I can say that you will find few people as passionate about film and storytelling as Eric.

More recently, Eric has dived into the world of CGI, including 3D modeling and animation. In this IMM spotlight, we visited with Eric to find out how things are going, what's on the horizon, and to give readers a little idea about the man himself.

-Stephen Zimmer, for Indie Movie Masters Blog Interview, March 10, 2010


SZ: You are a man capable of wearing many hats, in terms of writing, producing, directing, doing CGI, editing, etc. How would you describe yourself these days, in relation to your career?

EB: I've started referring to myself as an artist, but I always cringe a little, because it sounds so pretentious. I've also enjoy being called a Renaissance man. Ultimately, I'd like to be known as a director, maybe an editor and musician as well. I love doing all the other stuff I do, because it's fun to want to learn something and then actually do it, but I really only do it because not a lot of other people can in my current budget levels. I've found it to be a lot cheaper to buy a book and spend some time and just do it myself. That just spilled over to my friends, most of whom are film people as well. A lot of them are very talented too and sometimes they have projects I HAVE to be a part of. I just love making stuff!

SZ: What first got you into pursuing an independent film career?

EB: I was just sort of born wanting to do it. I started playing music at 2 and started writing by 3. I just never wanted to do anything else. Part of it is because I grew up loving movies. My folks let me watch whatever I wanted at a young age. I spent so much time in video stores, that at one point I actually listed a video clerk as an emergency contact for my school. My mom loved horror and my Dad's into Sci-Fi. My first movie ever was "Alien" when I was 6 months old. Everyone in the theater thought "Oh great, here's comes the screaming baby" but I apparently stayed transfixed on the screen the whole time. Plus, my folks have always been very supportive of my creative thinking! Reality can suck! Sometimes I'd rather create and live in my own worlds and film making allows that on a constant basis.

SZ: What are some of the things that you like especially about the world of indie film?

EB:No release date deadlines, which is great when you can't spend money, cause time is usually the indie film maker's friend! That can also be a problem. I come from the school of thought that art is never released, it escapes! There's always going to be more you can do to make things better and the more time you have with a project the more things you start wanting to fix. Eventually, you have to just let it go and let it be what it's going to be, then maybe, someday, you can pull a Lucas and go back and fix things, something I've never had a problem with people doing by the way. Other than that, I've never seen much difference between indie and Hollywood for me. I'm going to make what I want to make, period. I would like to make a living at it eventually, but I HAVE to make what makes me happy first! Luckily, most of my ideas are for summer blockbuster types of films, which makes it hard for me to write scripts I can afford to do. Now, with my CG, I'm capable of a lot more!

SZ: Conversely, what are the biggest negatives about working in indie film, besides the obvious money restraints?

EB: Really all the drawbacks stem from lack of funds. Scheduling is next to impossible. If you need more than a couple actors to get together at the same time, you can quickly find your hair turning gray... ask Jerry Williams. Extras are impossible to find in any large number. The talent pool is thin compared to the choices you have when you can pay people. Sometimes getting people to take what you're doing seriously can be difficult, because a lot of times they think it's just going to be something fun to do and don't realize how much work it actually is!

SZ:You’ve been delving into the world of 3D modeling and animation lately. How is that going?

EB: It has been insanely fun! CG was something I used to think was way out of my abilities, but I've always had ideas that require CG! I made a short 30 minute film when I was 15, so it would have been around 1995, that movie had a bunch of CG morphing in it, some of the shots were even pretty good. Last year I upgraded all my software and had some minor 3D capabilities, which gave me some really cool Ideas for some CG movies. I quickly find I couldn't do too much with what I had. I started looking into videos of CG programs and quickly found Lightwave and out of the three major CG programs, it was the one in my price range, but also seemed easy to use. I decided to get it. I also knew I was limited in my 3D motion tracking and after some research found a great program called SynthEyes. It's one of the industry standards and surprisingly cheap, for what it is. I then found out, my favorite show, "Battlestar Galactica" (Modern) used Lightwave and Syntheyes for 95% of their CG and their CG is incredible! So I was totally sold. Lightwave is amazing. Right out of the box with very little knowledge at all I was able to start making some cool stuff and within a month I had some shots that could have been in Galactica! So I'm very pleased. Don't get me wrong, I love practical effects too, I grew up a Savini fan, but I'm also a George Lucas fan. So I've always loved both and some projects of mine require more CG and some require more Practical and I don't understand why so many people hate CG so much, I've always believed one of the reasons people like movies is to see things they never could in real life.

SZ: Rumor has it that you have a "modest" DVD and BluRay collection, and that you are a "bit" of a film historian. So, name a few of your favorite directors, and why are they your favorites?

EB: He, he, ha. Yeah, "Modest." I have around 2,000 DVD's and about 600 Blu-rays. Plus, I still have a bunch of laserdiscs and some VHS. My dad has a collection bigger than mine! I LOVE movies. You learn more about filmmaking from watching movies than anywhere else, except on-set experience. You even learn more from bad movies than you do good ones. As for my favorite directors, Lloyd Kaufman I believe to be an underrated genius. Most people just lumps his films in with the rest of the Troma catalouge, but his films are so much more than that! It's kind of like Jerry William's films. On the surface that can be enjoyed as gross out weird comedies, but if you look deeper, you start to realize how well thought out, clever and smart his films are. I'm also a huge fan of George Romero, I love the way he gets very real performances in bizzare situations. He know's how to make the characters matter. I love the visual style of Dario Argento and Peter Jackson. I love the "Lord of the Rings" films, but his earlier work is just as incredible, especially "Heavenly Creatures". Some one who's new to directing, but has been around as a writer for a while is Ron Moore. This guy changed my life and the way I approach writing. I will see ANYTHING he's involved with and know it will be good!

SZ: Zeppo was one of the bigger projects that you have been involved with. How was it working with Debbie Rochon and Loyd Kaufman?

EB: Well "Zeppo: Sinners from Beyond the Moon!" was an incredible experience. It took us 3 years and a lot of learning, but the whole thing was just one fun experiment. I love the movie and it is pretty much everything Jerry Williams and I wanted it to be, but we knew starting out that part of the fun of the project was going to be in how we tried doing a little bit of eveything, it was my first time compositing shots. A couple of them turned out pretty good, but I learned A LOT about green screen from that shoot. The whole thing was like that, just always trying things and sometimes being succesful and even when we weren't it still worked for the type of film it was meant to be. It was sort of like the idea of film school, it was a safe place to fail.

One place we did NOT fail was in casting Lloyd and Debbie! Jerry and I both had grown up being Troma fans, so Lloyd Kaufman is just a god to us, and as I've gotten older and continued to love his films, I've learned how much of a truely underrated genius Lloyd is! And Debbie... Debbie I'd been a fan of for a long time and even though she's appeared in a few films that weren't quite as good as others, she's always been consistently exellent. Lloyd and Debbie both are the kind of people who, before you meet them, you think they're going to be cool, but once you meet them, they're WAY cooler than you could have ever imagined! We still all keep in touch and will be working together soon. Debbie stepped my game up as an actor on Zeppo. Getting to work with her so closely as an actor taught me alot, and ever since then when I act in films I try to bring that level of focus.



SZ: How have things gone with Zeppo since completion? Where can people buy/rent/view it right now?

EB: Well after screening Zeppo in a few festivals we had tried to get distribution and we kept hearing the same thing... " we love Zeppo, but can't do any foreign sales with black and white movies." So for a moment we made some dvds and started selling it ourself, but that kind of became a pain for us to deal with, so we finally found this thing called Create Space on Amazon. It's a pretty cool deal. We have control over what the product is and all we have to do is collect a bit of money for the discs. This is a great sevice for indie filmmakers, especially one's like me and Jerry who just want to make movies and not deal with all the rest of it! So, with in a month or two, Zeppo will be availbe on VOD and DVD through Amazon.

SZ: You have worked quite a bit with rising cult film legend Jerry Williams. Do you consider him to be sane? Secondly, can you give some really good dirt on him? (humor intended in this question!!!!)

EB: Jerry Williams is INCREDIBLE!! He has a completly unique vison in his films. On the surface they're these weird random comedies, but if you pay close attention you see there's a definate message and interesting storyline going on. He deserves major cult status, because his films are always hilarious and within seconds, you KNOW it's a Jerry William's movie. He's also a great guy, he's part of my family. Much like Lloyd Kaufman, you can't judge Jerry based on his films alone. He's a down to earth guy who's nice and willing to help everyone as long as they're not being too crazy.

Is he sane? Yes, but I belive that's because his films are outlets for his insanity. I'm actually slightly worried about what will happen to him while he's on hiatus to raise his new baby, but luckily he's spent a great deal of time getting footage lately, so he'll have plenty to edit. I have some dirt on Jerry for sure...so here's a little bit. Jerry drives his car very slow!

SZ: One of your newest projects is Girl/Girl Scene. What is it? Who’s involved?

EB: Girl/Girl Scene is amazing! It's not something I would have expected to be involved with, but it was such a great opportunity, I'd be a fool to say no. It's executive produced by Nic Brown and Written by Tucky Williams. Nic called me up and told me he and Tucky were wanting to make a dramatic lesbian web series. At first I wasn't so sure, but I really enjoy hanging out with Tucky and Nic and I was excited by the idea of getting to focus on Directing. Then I got the pilot script from Tucky and I was sold. I knew she was a talented actress and I've come to realize she is an equally talented writer. The script was really good. In my first reading I found that I cared about the characters and was left wanting to know what happens next, so that was a good sign. Then Tucky started casting all these incredible actors which made my job a whole lot easier. All I ever really had to focus on was how I wanted to tell the story visually, and having that much time to devote to one line of thought led to some really great choices.

I've been editing it and have most of a rough cut done and it's great! It really draws you in and engages you, plus it's got some great humor in it. Shooting on HD has really been amazing. I've watched some of the scenes on Blu ray and it's a REAL show. You could put this next to any drama out there and it looks just as good. I've since read the script for episode 2, and oh man... The pilot does a great job of letting you know who these people are and what they're about, but episode 2 is going to hook people! We're about 4 to 6 weeks away from revaling the pilot for free, online at girlgirlscene.com

SZ: The trailer has been having some tremendous success recently. Describe how that all unfolded and what kind of response you are seeing.

EB: It's been great! At first we posted it on the Girl/Girl Scene FaceBook group page. It was there for 24 hours first and we had great feedback pouring in. Then we posted it on YouTube and DailyMotion. YouTube was getting about 500 views a day in the beginning and DailyMotion wasn't doing much, untill AfterEllen.com posted our trailer on their site. Within six hours the trailer gained over 2,000 views. The real good part is, now, about a week after posting it, we're still seeing really good traffic. Some days are fifty views, some days are two hundred, this leads me to belivie Girl Girl Scene is building some word of mouth. After about 2 weeks we're at around eight thousand views total. I knew this was turning out to be a great project on all parts, but I am a bit surprized how quickly it's getting out there when we've barely even promoted it!



SZ: What other projects are on the near horizon for Eric Butts? Can you give us a scoop perhaps?

One of the downsides to people finding out I'm as good as I say I am, is that I now get offered all kinds of stuff all the time. Sometimes I have to miss out on things I really want to do because I'm too busy. I mean, people should still ask me, because if I can help I will. Right now I've been directing and doing all of post production on "Girl/Girl Scene", I've been editing a behind the scene documentary for Jacob Ennis' "Red River", I'm helping out with a fun project Billy Boyd is doing as an actor and VFX, I'm acting, composing the score and doing MAJOR VFX on Roni Jonah's "Malfunction" with Billy Boyd and Sven Granlund, plus I may be editing it as well.

I've got one more role to film for Jerry Williams before his baby break. I'm trying to write a couple new scripts for myself and finish a new Record I've been putting off for a long time now. I'm also starting advance pre-production on a feature film I want to make this summer, it's a very dark fun monster movie in the tone of "Feast" or "Return of the Living Dead." But I need to work on a beach for a week and that may prove just out of reach of our resources for this year, in which case I'll move to a back up script I have for a much darker Argento inspired Giallo film. I have a bunch of stuff coming out soon too. I acted in Roni Jonah's "Trepan:
Redux". I was a HUGE fan and supporter of the original and when I was given the chance to be in a new version of it, I came prepared and gave the best performance I've given yet. I was also in "The Last Temptation of Fluffy" and did a VFX shot for it, as well as creating the poster. There should be countless Jerry Williams films coming out soon that I'm in. "Zombie Hombre" was just released for free online and I played my twin brother. The cool thing was that the footage was shot a few years apart and I look very different in both roles. Also, I'm in "Cornball Classics" that is available on Amazon Video on Demand. Plus, how could I forget the upcoming "Trouser Snake!"

SZ: Anything else that you feel inquiring minds want to know about Eric Butts?

I'm obsessed with the modern "Battlestar Galactica" and "Caprica" and you should be too! I LOVE action figures and have a HUGE collection of modern "Star Wars" figures, including hundreds of Clone Troopers. I can't get enough U.K. Wildcats basketball!

SZ: If people would like to follow or connect with you or your projects(including beautiful single women), what are your links for sites and social networking?

www.zeppothemovie.com
www.girlgirlscene.com
Myspace.com/EricButts (I don't uses this site much anymore)
And I'm on FaceBook all the time, but there are a few Eric Butts' on there so make sure you get the right one!

Wednesday, February 10, 2010

Cherokee Hall-From Dark Woods Con, to Filmmaking and Acting



The IMM spotlight turns next to Cherokee Hall, whose activities in the independent film world run the gamut from directing and producing to acting and events.

One of the most prolific individuals within the Kentucky independent film community, Cherokee is on the cusp of completing and releasing his first feature film, Mountain Mafia. As if that was not enough to occupy his time, in the past year, Cherokee moved forward with Dark Woods Con, a convention project that is going to be a fantastic addition to the constellation of independent film events in the region. The addition of Dark Woods Con to the region's schedule can only help to strengthen independent film, and create more opportunities for fans and filmmakers alike.

IMM visited with Cherokee a couple weeks out from the premiere Dark Woods Con event, which is taking place from March 5-7 at the Landmark Inn, in Pikeville, KY.

In my opinion, it is really beneficial for independent filmmakers and fans to have an event like Dark Woods Con in this area of Kentucky, at this time of the year, as it will be a great compliment to Lexington events such as ScareFest, and Louisville events such as the Fright Night Film Fest. At the end of the day, Dark Woods Con represents good overall progress for everyone, making all of the events in the state, and the independent film community as a whole, that much stronger. Cherokee Hall and all the staff of Dark Woods Con should definitely be commended for this very considerable, and worthwhile, undertaking.

-Stephen Zimmer for the IMM Blog Site, February 10, 2010


SZ: For those that might not yet be aware of Dark Woods Con, give us the particulars and what to generally expect as far as activities.

CH: Aside from the vendor booths and celebrities to meet, we’ll have free daily contests for door prizes, as well as a scream contest and costume contests and some other surprises. Plus we have the Rad Girls there, and they are always doing stunts.







SZ: Focusing in on the film festival. How big is the film festival going to be at this initial event? Any premieres that you would like to mention?

CH: We got the word out a bit late about the festival so it’s mainly going to be short films. Yes, John Cosper’s Fluffy 3 will premier at the event.

SZ: As far as advance registrations go, are you seeing primarily a regional audience, or do you see some attendees coming from farther distances?

CH: We’ve been hit up from as far away as Rhode Island, but mainly it’s all regional.

SZ: I always applaud sponsors that come behind a first event. Feel free to highlight any companies/organizations that have gotten behind you on this premiere event.

CH: Southern Steel Tattos, Bourbon n’ Toulouse, David Fultz, clearmyrecord.com, Eagle Creek Massage, Page 3 Comics, Crawford’s Roots, Jim Hinkley’s Motorvation Car Care, YellowBird Insurance, Stewart & Stafford Tire & Custom Wheels.

SZ: What was your inspiration for starting Dark Woods Con?

CH: It was an idea that me and David Gooslin had back in 2007 but realized just how successful one could be after Scarefest had their 2008 show. It’s been something that both of us have wanted to do for a long time.



SZ: As a very busy actor and filmmaker yourself, who understands just how tough the indie world is, how can attending a convention such as Dark Woods Con be beneficial to other actors and filmmakers?

CH: Networking, networking, and networking! You meet so many people that can help you out along the way. All you have to do is talk to them.

SZ: Who are some of the other “big names” involved with Dark Woods Con?

CH: Michael Berryman, Tiffany Shepis, Al Snow, Daniel Emery Taylor, Jim O’Rear, Dick Warlock, Ari Lehman, Stephen Zimmer…We got a lot for our first year. The list keeps on going.


SZ: About a month out from the big event, how are things shaping up, in your estimation?

CH: We are right where we need to be. Of course I’d be a little less stressed if we were a little bit ahead of where we need to be too though.

SZ: I cannot resist asking you one humor-laced question, regarding one particular guest: Do you have to import extra security to deal with cult indie filmmaker Jerry Williams? Is it wise to have Jerry Williams as an official guest Don’t you fear massive community protests?

CH: We have had more females ages 75-90 call us and tell us that it’s about time someone brought in a real man to Pikeville Ky!


SZ: Give us some contacts, websites, Facebook pages, etc. where people can connect with Dark Woods Con?

CH: Sure thing. Check out our website at:
www.darkwoodscon.com

Myspace at: www.myspace.com/darkwoodscon

Facebook at:
http://www.facebook.com/pages/Pikeville-KY/Dark-Woods-Con/114704353191?ref=ts

SZ: Finally, what’s coming up on the near horizon for Cherokee Hall, (at least once you’ve taken a few days off and rested up, following the big Dark Woods Con weekend)?

CH: Actually I’ll go back to work on my film. My first feature film is rapidly approaching post production and we’ve already secured a distribution deal. You’ll be able to get Mountain Mafia (Staring Rupert Boneham, Tiffany Shepis, Al Snow, Tim Wilson, Amy Hayes, Casey Miracle, and Mike Holman) this summer at Wal-Mart, Best Buy, Target, NetFlix, and the Redbox too.

Thursday, February 4, 2010

Claude D. Miles-Personifying the "Can-Do" Spirit of Indie Film

For the first spotlighted individual of 2010 for the IMM Blog site, I wanted to highlight a guy that really has been doing some great things within a very active regional film community. Not only is Claude D. Miles a talented actor and filmmaker himself, but he is also a proactive supporter of a viable indie film community in Central Kentucky, instigating events that have helped draw numerous independent filmmakers together (as well as working with other events, such as the ConCave convention, which is covered in the interview below). There is no question that his efforts have helped in sparking an increasing amount of collaboration and cooperation between indie filmmakers in Kentucky.

The interview covers a range of topics, as you will see, but hopefully you will get an insight to a very positive-minded, talented individual who embodies the "can-do" spirit of indie filmmaking.

-Stephen Zimmer, for IMM Blog, February 4, 2010


(Claude D. Miles in the upcoming Billy T. Boyd film, "Steampunk")


SZ: Tell us about the upcoming ConCave, when it is, and its location?

CM: Well Concave is Kentucky's longest running science fiction convention. This will be the 31st year and marks the return of the con to its original location Bowling Green, KY. It was held there for one year and then moved to Park City for around 19 years and then to Horsecave for the last decade or so. Our size and convention requirements have finally pushed us back to Bowling Green which offers larger hotel venues in the 'Caveland' area. We have chosen the Best Western Motor Inn of Bowling Green to be our host this year. The facility offers much improvement as far as space over the Horsecave venue. Concave is traditionally held the last weekend in February and this year that is the 26-28th.

SZ: What is your involvement with ConCave?

CM: Where to start... Well I have attended the last 29 (of 30 previous) Concaves. So for me it is a kind of reunion. I grew up there. So my role over the years has changed somewhat drastically. In recent years I became more involved in the running of the Con and was nominated to become Chairman. We recently incorporated as a non-profit group and so technically I am a Board Member who also holds the office of President. Basically that is a fancy way of saying I get to take out the garbage. Well there is a lot more to running a Con than that but you get the idea. I work with a veteran team of officers, board members, and volunteers to balance all of the minutiae that goes into running an event of this nature. We even raise a little money to donate to our favorite causes.

SZ: What is a relax-a-con, as opposed to the more standard type of Con? What can attendees expect at this type of event?

CM: The relax-a-con is more about fans than anything. No special celebrity guests, no panels, no masquerade, none of the things one would normally associate with a science fiction con. What we do have is an art show (with Sat. auction), a dealer's room, a Consuite, a film room, a game room, and a lot of room parties. Concave has several krews that put on room parties from literally beyond this world. It is the sort of thing you have to see to believe.

SZ: Tell us about some of the recent indie directors that you have been working with, as an actor.

CM: I have been trying to be as big a whore as possible when it comes to this. I want to work! I want to practice my craft any/time/way/how that I can! Lately I have done a lot of work with Roni Jonah and her Feathered Italian co-Hort Jason Crowe. We recently re-shot some scenes for her short film 'Trepan' and I got to put some work in on her fabulous Science-Fiction piece 'Malfunction'. I have also had the pleasure and privilege to work with Billy T. Boyd on his film 'Steampunk'. I am very excited to see that project come together. Billy is a talented writer and director who I look forward to working with more in 2010. I would be remiss if I did not mention one of my very favorite directors Jerry Williams but I see the next question is about him so I will hold off on my praise of this local film god. In general I feel very fortunate to have worked with some great directors all through 2009. Cherokee Hall, Jacob Ennis, Stacey T. Gillespie, Bob C. Cooke, the list goes on... Like I said. Whore.

SZ: I always have to ask this question of people who have worked with cult indie filmmaker Jerry Williams (and humor is intended). What is it like being in a Jerry Williams film? Do you need extensive counseling after working with him?

CM: I love Jerry. He offers a creative freedom to his actors that is almost unheard of. I have found that he trusts me to just let go and get way out there. Which in turn pushes me to try and find HIS limit. Which I am not sure exists! He has let me flail around in my death throes until I destroyed the chair I was in! I relish any opportunity to work with Jerry. It is like drinking pure creativity. I only need the counseling to keep me from kidnapping him and chaining him to a camera and a computer in my basement. I am all in for Jerry. Whatever he needs that is what I want to do. Ummm, as an actor that is. I am a married man.

SZ: Tell us about your new western/civil war film project that you recently completed. Who’s in it? And what’s the plot/setting?

CM: Oh, if only that were true! It needs quite a bit more work to be completed. I did screen some footage from it recently but just for fun. I am hoping to complete the project before October at this point. I was privileged to work with a great cast and crew on this. It stars: Cory Stringer, Billy W. Blackwell, Russ Croley, Grace Norton, Cassidy Rae, Roni Jonah, Sonny Burnette, Kayla Perkins, Billy Boyd, Keith Nicholson, Scaheffer Tolliver, Stacey T. Gillespie, and a host of wonderful civil war re-enactors. They were all a pleasure to work with and I have to give props to my behind the scenes crew: Jason Crowe, Jake LeMaster, Rhonda Bingham, Sven Granlund, Tonya Miles, and all of the actors who helped whenever needed. All of these folks and more really went that extra mile for the project and I truly inspired by there work.

The story is basically this: In the chaos in the aftermath of the Civil War in Kentucky an 'outbreak' occurred that did not make the history books. This is the story of some folks trying to survive through that.

SZ: When will you be holding more screenings for the new movie?

CM: I am hoping to be able to screen the finished product by October of 2010. Most likely it will screen here in Lexington for a premiere.

SZ: What are the things that you enjoy most about working in the world of indie film?

CM: I really enjoy the "family" nature of this local community. There is a core of really great people working everyday to make their dreams come true. I love that you can find something happening every weekend if you look. Most weekends there are several simultaneous shoots occurring around the state. This is a wonderful time to be an actor in Kentucky film.

SZ: Conversely, what are the things that you like the least about the indie film world?

CM: The money. I could really use a larger paycheck! More importantly I would like to see some of these fine film makers have some more of it to bring their visions to life! Don't get me wrong, the amazing stuff everyone manages to do with what little we have is mind blowing sometimes. I just think it would be nice if we all had nice catered lunches too!

SZ: What do you see changing in terms of technology, or distribution, or anything like that, that will be of help to the low budget to no budget filmmaker.

CM: As the technology gets smaller and cheaper I think the market also becomes more accessible. If you make a quality product that is interesting to watch and you get it out there then people will look at it. Now, if you want to sell a product that can be a whole different ball of wax. I think VOD (video on demand) is really the wave of the future for most video content. I will always be a collector at heart and people like me will always want dvds we can hold in our hands but I think the future is VOD. And in a VOD world if you can get your name out there you have just as much chance of success as anyone regardless of budget.

SZ: What kinds of things do you think help make for a strong independent film community?

CM: Knowledgeable, helpful, friendly members! Thankfully something we have in abundance here in Kentucky! People who will work hard for each other.

SZ: As someone that had the honor of attending one of your events at Mia’s in Lexington, which was a mini-film festival that was free and open to the public, do you plan on doing other such events? What is your inspiration for these kinds of events?

CM: Thanks for coming! I basically wanted to get a bunch of these film makers I have been ranting about into the same room! I felt it would be nice to do a free screening of some of the recently completed work from our community and Mia's was receptive to the idea so off we went. I definitely want to do this again. I have been working on a larger venue for later this year. I will have more details as I secure sponsors.

When it comes to inspiration I just love seeing what is happening out there and I think everyone should have the opportunity to show their work.

SZ: What’s on your plate for 2010, as both an actor and a filmmaker?

CM: Wow! So much to say. I am finally getting to work with George Bonilla this year on his new film 'Santa vs. the Zombies'. I am out of my mind with excitement about this one! I am also looking forward to being in Roni Jonah's 'Lesferatu' this year as well as some more of her 'Malfunction' story. Then I have a couple of projects in the works with Billy T. Boyd that are going to be lots of fun. On the film making side of it I hope to complete the projects I have shot and get them out there. I am always writing and thinking so something else may get rolling but I am hoping to concentrate on my first love which is acting.

SZ: If people would like to connect with you, what are some of your online links, social networking contacts, etc.?

CM: Good question! I guess the best way to get hold of me is on facebook but I really would encourage all of your readers to visit my imdb page.

Claude's IMDB Link:
http://www.imdb.com/name/nm3014429/

Claude's FaceBook Link:
http://www.facebook.com/#!/claude.miles

Tuesday, December 8, 2009

Indy Film News Creates a Haven for Indiana's Independent Filmmakers



In the past, I had been a little familiar with the burgeoning Indiana independent film scene, which includes the director of the Starship movies, Mark Racop, who I featured in an earlier interview on this blogsite. I had first met him when we were on panels together at DragonCon a few years back. But it was not until I attended the Fantasy and Sci-Fi convention InConJunction in Indianapolis that I had the honor of being acquainted with Chuck Budreau, and Indy Film News. What I learned then and since is impressive, and Indy Film News serves as a good model for other aspiring film communities to follow.

Chuck is one of those pro-active types who understands the value of a quality organization within an independent film community, and how it helps support the entire indie community through networking and resource functions. Chuck is a proficient individual to have on the set himself, with a range of talents that most notably include his work in production sound and scoring/soundtracks.

I really enjoyed spending time with Chuck at InConJunction, and have since kept appraised of the group that he founded, Indy Film News. I hope that this interview introduces alot of people to what Chuck is doing, and what is happening in Indiana. It would be a real boon to independent filmmakers if there were such quality groups in all states. Indy Film News is, without a doubt, a real credit to the state of Indiana and Independent Film.

-Stephen Zimmer, for Indie Movie Masters Blog/Podcast interview series, December 9, 2009



SZ: Before getting into Indy Film News, I wanted to give people a little idea about yourself. Give us a brief description of your own background and film activities.

CB - It started when I fell in with a bad crowd during my high school years...filmmakers.

A friend of a friend was making a Batman fan film and they needed someone to play Alfred, the butler. So they grayed my hair and I did a really bad job of acting. From that time on I decided that while filmmaking was fun... I would do it from the other side of the camera. I helped by being a PA, Grip, or whatever else was needed. Then one day I got a call. The sound guy had backed out at the last minute and they were ready to start shooting a feature. I had a small amateur music studio in my apartment, so that made me the guy who knew how to run sound equipment. It helped that I had some equipment too. From that day on I was a sound guy. I've done sound on many features films, shorts, and misc. video shoots. It's been about 20 years and I still find it the most enjoyable work in the world. I recently joined as a voluntary board member of the Indiana Filmmakers Network.

SZ: First of all, regarding IFN, what is Indy Film News, and what are its main areas of focus?

CB - It's a place for filmmakers and actors to find out what's happening in the Indie film scene in and around Indiana. It also is a place for them to promote their projects. Whether that means Cast & Crew calls, film festivals, Premiers, I try to cover it all.

SZ: What roles a group like IFN play for a regional independent film community?

CB - I like to think that IndyFilmNews helps bring the community together and give them the support group they need to make their films. I have seen some great collaborations among the local filmmakers. Together they have really brought their games to a higher level.

SZ: How long has Indy Film News been around and who founded it?

CB - I started IndyFilmNews.com a little over two years ago.

SZ:What has the growth of IFN been like since it was founded?

CB - It started as a place to meet other filmmakers on the site's forum. But over time it has really grown into a one stop source for filmmakers. The main page is devoted to News. We have Professional profiles for Actors and Crew members. There's a long list of film festivals, production companies, and other industry related groups. We even host Trailers and Short Films in a YouTube type format. Many Producers are using these resources to find their casts and crews and to promote their films.





SZ: In your view, how are things with indie filmmaking in Indiana? Are there a lot of ongoing projects, and what kind of projects tend to be the most common in your region? (i.e. short films, indie features, music video, documentaries, webisodes, etc.)

CB - There have been a steady stream of really well produced short films over the past few years. I just attended the first annual "Wet Your Pants Comedy Film Festival" all of those films were great and had a local tie in. The Indie Feature scene is also taking shape. There were several large scale productions over the summer and I'm hearing of several gearing up for spring shoots. There's a healthy environment, where filmmakers are supporting each other and the industry.

SZ: In your opinion, what are some developments that you've seen over the past few years that have been of significant help to indie filmmakers? (in terms of technologies, trends, or formats)

CB - Technology has made it possible for anyone to give filmmaking a try. In the past our low budget films were shot on super 8 film and cost a fortune to cut and process. Today the HD cameras and computer editing suites are very affordable. You can make an amazing film that stands up to broadcast standards on very little money. As a sound guy the advances in digital recorders has been a god send. I used to lug around an ADAT 8 track digital tape machine and edit by bouncing tracks. Now I have a hand held recorder that does a better job and records directly to flash SD Cards. Though I'm still of the opinion that "talkies" are a fad... just like that whole wheel thing.

SZ: What are some areas where you see increasing opportunities for indie filmmakers in the near future? Any favorable trends or developments?

CB - The viral marketing of films has made it so that you can get attention without getting picked up by the large film distributors. While it would be better to have them do all that leg work for you... you no longer are at their mercy. You can self distribute and actually sell your film. I don't know anyone who has gotten rich doing it but I think it's only a matter of time. The other great thing I have seen is that many theaters are equipped with video projectors and are working with indie films to get screenings on the big screen. There's nothing like seeing your work in a real theater.

SZ: Is the state seeing any increases in larger independent films or Hollywood productions coming into the state? Has IFN been able to provide some resources/services for these larger types of projects?


CB - "Public Enemies" was shot in a few locations in the northern part of the state. I posted the casting call for extras on IndyFilmNews. I doubt they noticed it... but I'm sure some of our site's visitors went to that casting call. There were several smaller productions that submitted their cast and crew calls.

SZ: Like IFN, there are some good proactive indie film organizations cropping up in many states, such as Indy Film Wisconsin. Do you network or work with similar organizations in other states?

CB - I've been in contact with a few of the other sites. We kind of keep an eye on what each other are doing. There's no reason to reinvent the wheel. If they find something useful on IndyFilmNews I hope they borrow it. I don't think of other states as competition to our film industry. If a small Indie film from some other state makes it big it will only help our films.

SZ: What are some independent film projects that we can look forward to in the near future out of your region?

CB - There are projects of all sizes in the works. One group is working on a feature film about the first Indianapolis 500 mile race. They are working on building a replica of the speedway as it was in 1911. They are also talking to some CG artists. Another project that's in the works is a Fantasy film the combines Victorian Steam punk science fiction and water spirits. It a really ambitious script. There's also a fairly large scale Batman fan film planning on shooting in the spring. They are using fan films to showcase their talents. There's plenty more films at varying stages of production... always something happening.


SZ: For those wanting to learn more about IFN, or perhaps become active with it, give us some online links on where to find you and Indy Film News.

CB - The main URL is www.indyfilmnews.com please stop by and check it out!

I have worked with several production companies
Magichouse Productions www.magich.com
Karmic Courage productions www.karmiccourage.com
Racso Films www.racsofilms.com

Other sites about the film industry in Indiana I would recommend...
www.filmindiana.com that's the Indiana Film Office's site... lots of usefully stuff there.
www.indianafilmmakers.org the site for the Indiana Filmmakers Network
IndyFilmNews.com
Source: IndyFilmNews.com

Monday, November 23, 2009

Infernal Dreams Making a Name in Independent Film, Horror, and Beyond



It is always good to see new organizations sprout and grow which have an emphasis on the horror genre and that are friendly to independents. It is even better when those organizations feature a team of creative people who enable a first-rate presentation, and sustained outreach in the public and on convention circuits.

Infernal Dreams is one such organization that is really motoring on high-octane within the independent world, on the convention circuit, and online. They feature a number of dedicated individuals who are responsible for the rapidly growing content found on their site and at events. From movie reviews, to the Infernal Dreamgirls, and even to book reviews, Infernal Dreams is a name becoming more known with each and every day.

Indie Movie Masters is pleased to spotlight Infernal Dreams, and to bring you an interview with the founder, David Rupp, who will give you the low-down on the foundations of Infernal Dreams, where it is going, and even his insights on matters relating to trends in horror and new developments affecting indie filmmakers.

Let's check in with David and immerse ourselves into a world of Infernal Dreams!

-Stephen Zimmer for Indie Movie Masters Blog Interviews, November 23, 2009


SZ: First of all, for those who have not visited the world of Infernal Dreams just yet, what is Infernal Dreams all about?

DR: Infernal Dreams is an amalgamation of all things horror, we try to be as inclusive as possible. We support independent ventures without turning a blind eye to the mainstream. We ignore trends and do our very best to maintain integrity with our coverage, reviews and features. ID hopes to entertain, educate and make people aware of what the world has to offer as far as genre tidbits. Add commission graphics, video goodies and appearances and you have most of what we are about.

SZ: Who are the main contributors or staff members of Infernal Dreams?

DR: Well ther's me of course, the father of this bastard, Peter Syslo who is on a holiday of sorts, Jeff Hudson one of the core members, Josh Felty heads the editing and brainstorming, Jake LeMaster is video/lights/photos and all around PR, Bindi Lavelle is articles from down under, Schaeffer Tolliver, Daniel Emery Taylor or celeb reviewer, and Tim-o our newest blood. As far as contributors we have GL Giles, Patrick Farmer and Sam O'Beirn from Canada.

SZ: Tell us a little about your own personal background and your motivations for working to instigate Infernal Dreams.

DR: Originally I started ID as a place to showcase horror wallpaper and graphics that were not widely available. After a few years someone asked me why I don't start reviewing movies since I was always watching them and had deep opinions. That same year I went to my first convention as a fan, and met tons of local film outfits, and said "this is what I need to do". A month later the site morphed and took on staff, until what you see now emerged.

SZ: What's the scoop about the Infernal Dreamgirls?

DR: What can I say that can not be visually explained? We have a lot of talented, beautiful and supportive friends who happen to be actresses and models. They have donated a few moments of their time to help promote us, as well as us giving something back to the visitor besides my mug all over the place. We also have a running Dreamgirl of the Month submission (dreamsgirls@infernaldreams.net) send a pic and some info and you could be the next (or first) DgOTM.

SZ: How has the growth been in terms of visitors to your site since the beginning? Has it helped you to establish better relations with studios with new releases and such?

DR: As far as studios go we are taken more seriously now than when we were first launching the concept, still we have trouble getting the larger LionsGate, Universal, Sony etc. The studios that have worked with us have been great, along with the individuals who send us DVDs and books. Traffic has been on a steady climb in the last year and we hope to keep people interested in coming back week after week to read our articles and reviews.

SZ: Who have been some of the individuals that you have interviewed, either printed or on video?

DR: We have interviewed a good variety of members of the local film scene as well as some outside of the circles. Just a few are Anthony Hudson - promoter and organizer of WIFE, Jeff Waldrige - Scarefest, Kevin Strange - Hack Movies, The Creepy Kentuckian & Uncle Bill - DeadPit.com, Jim O'Rear - Actor, G.L. Giles - Author, Joel Robinson - Artist to name a few.

SZ: Do you plan on doing regular horror book reviews as well?

DR: Yes, we have been been steadily adding to our stables, and books/graphic novels have found their way into them. We have and continue to review anything that comes our way, and books have become a permanent.


SZ: What are some of the areas that you might be expanding or adding in the
near future?


DR: As far as I can tell, we will be expanding our graphics into more commercial filmaking arenas. designing covers and what not as well as posters for films. Quite possibly a music review section may arise within 2010 along with a documentary on Kentucky film and film makers we are currently working on.

SZ: As a horror film guru, what are some of the trends in horror that you
see out there?


DR: I don't know about guru, but there has been an over-saturation of zombie projects lately. I love zombies but let's face it, too much of a good thing still affects the negative. What I would love to see are some fewer remakes and a resurgence of fresh ideas in a totally new frontier. The American movie audience has changed, become jaded. Re-invent what is terrifying, deeply disturbing, push envelopes. Maybe revert to a style, less polished, perhaps the older gritty style from cheaper film stock from the 70's. More balls out, blow the doors off storytelling, less CG.

SZ: As there has been a big increase in the number of webisodes being put online in places such as YouTube, where do you think webisodes will fit in with indie horror? Do you see it evolving into something that indie filmmakers can make a little revenue on?

DR: Webisodes are a good promotional tool, but basing revinue from it may not be the way. I still believe the best way is to get out to the public, meet and greet, talk to them and get things in their hands. We did the webisodes for a bit, and may bring them back but the smaller videos are working for now.

SZ: How have your convention appearances been going, and what conventions are you going to be appearing at over the next few months?

DR: We have been recieved fairly well on the circuit. We have been invited to some shows now to appear as media guests or sponsors, that blows my mind. You will be able to catch up with us at DarkWoods Con - Pikeville,KY March 5-7 2010, ImagiCon - Birmingham, AL May 21-23 2010, WIFE - Richmond,KY May 14-16 2010, Scarefest - Lexington,KY Nov. 5-7. These are the only ones confirmed so far, and I may not be able to attend each event personally.


SZ: Give us links for the Infernal Dreams site, your social networking locations (Twitter, Facebook, etc.) and anything else related to Infernal Dreams.

DR: You can find us at www.infernaldreams.net,
www.facebook.com/pages/Winchester-KY/Infernal-Dreams/86862122500
www.twitter.com/infernaldreams
www.myspace.com/horror_haven

Friday, November 13, 2009

Indie Movie Masters Podcast Episode # 6, featuring writer/director/producer Jacob Ennis of Tuckywood Productions

In Episode 6 of the Indie Movie Masters podcast, we are spotlighting writer/director/producer Jacob Ennis, of Tuckywood Productions. Jacob made a great breakthrough with his first feature, Stash, which was covered in the print edition of Fangoria magazine, made it onto G4 Television, and had extensive distribution placements.

In this episode, Jacob talks about Stash, his newest feature Red River, his influences as a director, and much more. Catch this episode and visit a rising star in the world of independent film!




Click here to listen to the podcast or download!

You can also subscribe to the new podcast series as an RSS feed here: http://feeds.feedburner.com/IndieMovieMasters

Click here to get the episode via iTunes!

Thursday, October 1, 2009

Indie Movie Masters Podcast Episode #5 featuring Casey Crow of Zallerquad Films

The fifth edition of Indie Movie Masters Podcast comes to you from deep in the heart of Texas! In this episode, we visit with up and coming director/producer/cinematographer Casey Crow, of Zallerquad Films, as he discusses film, his cohorts such as Sean Hastings, Zallerquad, and their latest project "Klagger"!

So, to get this podcast as the "Crow Flies", just click below to download, to subscribe to the podcast as an RSS feed, or follow the link to iTunes!

Leave a comment and let us know what you think of this talented West Texan!



Click here to listen to the podcast or download!

You can also subscribe to the new podcast series as an RSS feed here: http://feeds.feedburner.com/IndieMovieMasters

Click here to get the episode via iTunes!

Monday, September 21, 2009

Steve Guynn, From Hardcore Punk Rock to Indie Film and Theater Wizardry! A Modern Day Renaissance Man.




Sometimes life takes interesting routes, especially when it comes to individuals that pursue careers in the arts. For one such young man, the path began in the world of hardcore and punk rock music, before he embarked on a serious acting career that has entailed both stage and independent film.

Steve Guynn, of Lexington, Kentucky, is one of the more active individuals in his home region. When he isn't doing something like jumping out of planes (he is an active skydiver), he is working on projects, rehearsing, and honing his craft. A self-motivated individual, a necessity in the indie film world, Steve has actively toured in professional theater.

In today's IMM interview, we will be visiting with Steve Guynn as he takes us into his world, from his music roots, to stage and film (with his thoughts on the two mediums), and his plans for the future.

As intense as he was during his punk rock days towards his music, so is he towards his film and theater endeavors. Without a doubt, Steve Guynn is well on his way towards a successful acting and production career.
-Stephen Zimmer for Indie Movie Masters Blog, September 21st, 2009

SZ: You have a music, theater and film background. Let's briefly touch on your music career. Tell us about the bands you've been in.

SG: I played guitar and sang backing vocals in a hardcore band called Ungrateful. We played shows in Lexington, Louisville, Somerset, Berea and so on. We were banned from most places we played in Lexington including The Wrocklage and Alcoholics Anonymous. The Dame wouldn’t even let us in their doors. It was hard to find a venue or club we were in good standing with, though Rock Haven was one such a place, not too dirty, not too clean, just right like Baby Bear’s soup. We released an album worldwide in 1996 titled ‘Southside Lexington Hardcore’ on Sound Pollution Records. I played guitar and sang backing vocals for Retribution, though I am not the guitarist on their EP recording. Retribution, The Infected, Brassknuckle Boys and other ‘back in the day’ punk bands thank Steve Ungrateful in the thanks section of their record sleeve or cd insert. That’s me. This is strange to me because no one called me Steve Ungrateful to my face, most people on the street called me ‘Hardcore Steve’. I guess it is worth mentioning that I also played in several bands (one called Ghetto Blasters for example) that did not release any recordings. I experienced so many good and bad times during those years. The Lexington KY Punk Scene will always be a family to me.

SZ: Did your years as a touring and recording musician help in any way when you went full time into theater and acting?

SG: Yes definitely. I can always look back on all the fights (literally) and problems with the police and just know that my problems now aren’t really that bad. At least I’m not in jail for a victimless crime you know. All that I went through just to perform the music I love makes me realize that I enjoy performing for people and getting ideas out there. No matter what I am doing to put a roof over my head or food on my plate, if I am not performing, I feel like I am not contributing to the world.

SZ: What has your formal training been in terms of acting and theater?

SG: I graduated May 2007 with a BA in Theatre at the University of Kentucky. I worked full-time as a maintenance man at a private school while attending classes at UK. Russell Henderson taught me vocal production; Margo Buchanan was my acting instructor; I took a playwriting class with Herman Farrell III. It was a real honor studying under Herman Farrell III. He was the kind of professor that really cared about his students and would make time for them. That’s it for formal training. I strongly feel that every time I take a theatre contract or work on a film set I am perpetually learning about acting and the entertainment industry as a whole.

SZ: What were your experiences in professional theater like? (touring, acting multiple roles in children's theater, etc)

SG: Wow, experiences in professional theatre. My first professional theatre contract was with The Lost Colony, it was their 2006 season. I have mixed feelings about that place. It is an outdoor drama located on Roanoke Island. They housed us in these town homes at Morrison Grove, which is a beautiful place. They have their own beach there, so you can imagine how often I was drunk and naked. To sum it up, my summer 2006 consisted of acting, skydiving, surfing, fishing, drinking and some other things too. That part of it was great. Here’s the bad part. I was hired as an AT. This means actor/tech. I acted in the show and I loaded scenery in the stage left and stage right scene docks during scene changes. They had shipped in new scenery that year. Each piece of scenery weighed 1000 pounds; no I am not exaggerating. Only four of us AT’s at a time would fit on a ‘book piece’ as we called them due to the way they folded. That means 1000 pounds divided between four people, multiple times a night, Monday-Saturday, 74 performances that summer. This was probably the most laborious work I’ve ever done in my life.

I’ve done a few musicals. This was local work at the Actors Guild of Lexington and the Lexington Opera House. I played an ensemble member in The Music Man, this was performed Spring 2008 at the Lexington Opera House. I must say, for the finale we performed the song 76 Trombones; we had the Lexington Christian Academy Marching Band on stage, we had a chorus of 60 singers, and we had a pit orchestra, all performing the same song. I have now been part of an ensemble with a marching band and an orchestra. This was one of the greatest experiences of my life, thank you Ryan Shirar. I love musicals, although I am not the best singer or dancer.

Summer 2008 I did the show Tecumseh! in Chillicothe, Ohio. I can’t say enough good things about this place or this show. I played the lead bad guy, a character named Tompkins. A lot of stage combat in this show. I got to scalp Indians and cut off their chest skin and shoot them and stab them all summer. It was great. I was one mean dude you did not want to mess with. I want to make it clear that I do not hold any prejudice against Native Americans, I just like stage combat. Outdoor dramas are very important because they educate our youth and the general populace on American history. I have maid some life-long friends at outdoor dramas.

I worked with a children’s touring company Fall 2008 called Hampstead Stage Company. That was interesting. Some touring companies send teams of five, six or more out on the road. Some send two. That is Hampstead Stage Company. Since they only send two out, one man and one woman, both players have to play multiple roles. In the stage production of Prince Caspian I played Professor, Peter, Edmund, Trumpkin, Dr. Cornelius, King Miraz, Reepicheep and Aslan. In A Christmas Carol I played Fred, Ebenezer Scrooge and Solicitor. They send both shows out on the road. I played eleven different characters in two plays. Rehearsals drove me crazy. 11-12 hour days for a month straight. I was on ‘team standby’. This means my partner and I performed at a town hall in Barnstead, New Hampshire. We did not tour. It was very rewarding in the end to actually get these shows up and on their feet.

SZ: What do you find to be the biggest challenges or differences regarding film vs. theater acting?

SG: The challenges are very different and very much the same. In film a director wants to get an angle. In theatre a director wants to get a composition. A lot of hard work goes into both.

SZ: Do you tend to enjoy theater or film more as an actor? Is one more satisfying than the other?

SG: I get this question all the time. It’s a good question. Theatre and film are both magic to me. In a stage production, I love being in the same room as the people I’m telling the story to. In a film production, I love the relationship with the camera; it feels otherworldly. Both are my children. I love both.

SZ: You have worked with director Jerry Williams on more than one project. What were they, and what was it like working with Jerry? Did you need counseling after working on his projects?

SG: Jerry Williams is one of the most creative people I have ever worked with. Many people don’t know that Jerry has a MA in Creative Writing from Morehead State University, thus the references to myth and folktales in his scripts. In 2007 Jerry put me in Misadventures In Space as Captain Tiberius and his twin brother Jessup Tiberius. That was a blast, mostly improvised work. That same year I played a zombie in Zeppo: Sinners From Beyond The Moon! Goatboy Films recently finished production on Saucer Sex From Beyond. This piece showed at Fright Night Film Festival 2009. I play Captain RobRoy Tiberius in that. Jerry let me write a monologue for that character. This was a real privilege. It is not often in film or theatre that you get to write in your own part, especially when the writer/director has a concept for the part. I know how it is to write your own work, you do not want anyone else to change it because it is yours. Jerry relinquished that control and gave me a creative license with his work. That’s rare. Thank you Jerry Williams. I am also in several of his films that are as of yet unreleased. He’s going to kill me for posting links to them below. And yes, I am definitely going to need counseling.







SZ: What have you found to be the most frustrating elements of the indie film world?

SG: Poverty. It comes with the territory. Some think that if the independent film community had more support and more exposure then they wouldn’t be independent. I don’t know. I don’t have all the answers. I just know that I am Bum #1, you know, like Public Enemy #1, except with no money.

SZ: Conversely, what do you find most beneficial about the indie film world?

SG: A level of expression and creativity rarely found in other mediums. Most indie filmmakers are not afraid to be experimental. That takes courage and I respect that. Courage and sensibility are two qualities that distinguish a great director from a good director.

SZ: What are your career goals regarding both theater and film?

SG: I am going to continue acting on stage & film. That’s plan A. There are certain novels that, one day, someone is going to make into a stage and/or film production. When they do, I am going to be there. It will probably be in the United Kingdom. That is all I can disclose at this time.

SZ: Give us a list of your indie film credits to date.

SG The years here are during the production, not necessarily the same year as release.

2009 Saucer Sex From Beyond Captain RobRoy Tiberius Goatboy Films

2007 Misadventures In Space Captain Tiberius, Jessup Tiberius Goatboy Films

2007 Zeppo: Sinners From Beyond The Moon! Zombie Goatboy Films

2006 The Edison Death Machine Rex the EMT Zombie Planet Productions

2005 Sirens Bobby the Manager Ever After Media/ Cineline Productions

2004 Promise Bank Robber It Doesn’t Matter! Productions

2004 Theatre Live Today Famous Guest Cindy Yu

2004 Know Your Chronic Masturbator Robbie Optimal Riviera Productions

SZ: How can people find some of your work or you on the internet? (websites, any Facebook or MySpace pages, etc)

SG: Here are some links………….

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63331862

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63332047

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63332092

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63332241

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63332407

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63332507

Sunday, September 13, 2009

Indie Movie Masters Podcast Episode #4 featuring Jerry Williams of Goatboy Films

Indie Movie Masters Podcast Episode #4 is now up, and it's a special one! This one features Jerry Williams of Goatboy Films, the mastermind behind works such as Zeppo, Misadventures in Outer Space, Soul Robbers, Purvos, and the new Saucer Sex from Beyond.

This interview ran a little longer than usual, and the total show is a bit longer at about 45 minutes, but it is definitely entertaining! Leave a comment and let us know what you think of Jerry Williams!

(the chant from the crowd begins..."Jerry! Jerry! Jerry!")...

Click here to listen to the podcast or download!

You can also subscribe to the new podcast series as an RSS feed here: http://feeds.feedburner.com/IndieMovieMasters

Click here to get the episode via iTunes!

Thursday, September 3, 2009

Mark Racop on the Launch Pad for Starship II


Today's interview takes us to the fine state of Indiana, where director/producer/writer Mark Racop and the MagicHouse Productions team is based.

A full production house with a studio facility, MagicHouse Productions is readying an exciting new science fiction movie, Starship II. The film features an extraordinary amount of special effects elements, and returns many fan favorites from the first Starship film (titled Rock N Roll Starship).

For the indie film world, Mark Racop and MagicHouse Productions represents an intelligent approach to developing films and a production company. Mark has spearheaded a methodical path that has built a solid foundation for current and future projects, one that draws upon previous projects and has established an in-house production infrastructure. This approach enables growth in each progressive project, something demonstrated strongly in Starship II with its arsenal of special effects and increased production value.

The buzz has been building for Starship II at conventions across the country, and is well on the way to becoming a growing indie movie franchise. Working with an array of talented individuals in Indiana such as Jeff Ello (the mastermind behind the CGI) and Chuck Budreau (sound and music wizard who is also with Indy Film News, a networking and resource site for Indiana Filmmakers), Mark has worked to establish the nucleus of an outstanding independent movie team.

Mark Racop is a filmmaker to watch, and MagicHouse Productions is definitely on the indie movie map. Watch out for Starship II in the very near future, and hop on board a great new indie movie series!
-by Stephen Zimmer, for Indie Movie Masters, September 6, 2009

SZ: What is your background in terms of filmmaking/production?

MR: The filmmaking bug bit me at an early age. My father John remembers that I was interested in making movies even at the age of two, always asking, "How do they DO that?" Dad could only answer, "Trick photography." So while other children were reading short stories, I was busy reading–check that–studying Stephen Whitfield’s "The Making of Star Trek."

My filmmaking life was changed permanently when "Star Wars: A New Hope" was released when I was twelve-years-old. I knew from the first scene of that movie that I HAD to make movies. I voraciously read everything I could about movie making. As a huge1966 Batman fan, it was no surprise to my friends that I decided to make Batman the focus of my movies while learning my craft.

I collected a rag tag group of misfits from Logansport High School–and I'm quick to add myself to the list of rag tag misfits–to make my first movie in 1980, a 60 minute short film. We didn’t have a clue what we were doing when we started, but we figured things out pretty quickly. Shot on Super 8 movie film, and edited by hand with a Kmart splicer, it truly was a labor of love. It lacked big time, but as a first film, it was rather ambitious–there were several fight scenes, and the movie was made at many locations throughout Logansport, including the vault of the First National Bank. Logansport Mayor Jone Wilson even played a cameo in the film. The movie was rough, but well-received, and won some awards in high school.

Bolstered by the completion of my first effort, the following summer I made a second Batman film, a 30 minute short. The titles, fight scenes, and editing were much more sophisticated, and I was learning from my mistakes. Mayor Jone Wilson again made herself available for a cameo. And again, I received some awards.

There was little doubt that I would be going to college, and there was even less doubt that filmmaking would be the major. Majoring in telecommunications with a film emphasis at Ball State, I worked on several short films for classes, and networked with students that shared my passion for filmmaking. It didn’t take long for students to figure out that I was very serious about making movies. I was the only one that owned my own equipment.

Even though I was ahead of my class, I still had a lot to learn. Before diving into professional filmmaking I knew I needed to learn more about lighting, sound, editing, and overall pacing. My third and final Batman film was entered in the David Letterman Scholarship Contest at Ball State, and won a $3,500 award. Logansport Mayor John Davis played a cameo this time. This film was certainly different than my previous two. Acting, sound effects, and lighting improved tremendously. I built sets for the first time, which provided for better camera angles. And the ultimate prop was added–the Batmobile. Built by five seventeen-year-olds, we transformed a 1974 Monte Carlo into the world-famous Batmobile and used it in my very first car chase.

The David Letterman Scholarship award opened a lot of doors. It gave me credibility to deal with people in Hollywood as well as local investors. Without the scholarship, I don't think I would have made it on the set of my "big break," a terrible action/terrorist movie called "Terror Squad," made in Kokomo, Indiana, in1986. The final film was horrible, but I learned so much from being on a professional set. As the head production assistant, I learned the ins and outs of just every single department. I helped the camera and grip departments lug equipment, helped stuntmen with prepping cars for stunts, built a storefront for an explosion, landed product placement for clothing for the movie’s star, Chuck Connors, and I ferried film from the airport to the editor. I learned about special effects makeup, safety requirements for explosions and bullet hits, and how the same shots can be accomplished with different camera techniques–and how to choose the best one.

I was invited to Hollywood by some of the crew from "Terror Squad," so my friend Jeff Johnson and I departed in a 1976 Dodge Colt with stars in our eyes. 41 hours later, we arrived in the usually sunny state to find that we had somehow brought snow with us. Yep, that’s right--for the first time in ten years, Los Angeles experienced snow! I spent time on several movie sets and at camera stores, and talked with professionals in the business to learn what it really takes to make it in the business. I also learned that I didn’t want to live in LA. It just wasn’t right for me.



SZ: When was MagicHouse Productions formed, and what was your mission with the company when it began?

MR: I formed MagicHouse Productions in 1987 and raised money to shoot my first professional movie, the ultra-low budget spoof, "Rock N Roll Starship." The up-front budget was $5,000, and the final cost of the film was $25,000. Dark Star and Hardware Wars were major inspirations as we put the movie together. The movie featured cheesy sets, cheesy dialogue, and cheesy acting–but it was all part of the plan.

SZ: As independent production companies often need to pay the bills while developing a feature film project, what kind of production work do you engage in outside of your film endeavors?

MR: I shoot documentaries, commercials, promotional videos, music videos, and even legal depositions to keep the lights on.

SZ: Give us a little history leading up to the production of Starship II, in terms of when the first film was produced, the response to it, and when you made a decision to do a sequel (and when you began pre-production on it).

MR: "Rock n Roll Starship" has played well to science fiction audiences across the Mid-west. I am truly amazed at our fan following. While we never received national distribution, we have self-distributed over 1,500 copies on tape and DVD, from Georgia to Minneapolis.

I am my toughest critic, and I am really tough on the film, but it is nice to see a crowd of 400 people rolling in the aisles with laughter. It helps remind me that it was worth all of the hard work.

While we were shooting Starship 1, we joked about the possibility of a sequel, and the ideas that could be incorporated into it. While everyone else went to sleep, I was writing down hundreds of tiny notes on scrap paper, napkins, placemats--anything I could get my hands on.

People everywhere demanded the sequel. The beautiful Leslie Culton is one of our biggest fans. It was really weird. She met us at a con, quoting dialogue from Starship! And then all of the planets aligned to allow us to make the sequel. I lost my job as a manager of a movie theater--and it was the best thing that ever happened to me.

Chuck Budreau and I took those hundreds of scrap notes and used them as an outline to create the script for "Starship II." We finished the first draft in three weeks, and did a script readthrough at the 1998 Inconjunction science fiction convention. Actors that had moved to New York and Ohio moved back to Indiana. At a chance meeting in a movie theater in Lafayette, watching the end credits of "Phantom Menace," I found our special effects team.

SZ: For those that may not have seen the first Starship film, catch us up to speed on events pertaining to the beginning of the story in Starship II, as well as a little about the plot of the new movie.

MR: Because "Starship II" involves time travel, it is both a sequel and a prequel--making it a sprequel. Bob, Doug, and Jorge are well-known throughout the galaxy as the ones that blew up the Ramses Colony. In a freak accident, they accidentally go back in time to right before the blew up the colony. They now have the opportunity to stop themselves from blowing up the colony, and clearing their names...but you know how changing things in the past in a time travel has a way of screwing things up in the future, right? Bob, Doug, and Jorge discover that they have to go back in time to stop themselves from stopping themselves, or the entire universe will be taken over by robots!

SZ: What cast members returned from the first film for the 2nd? Who are some of the key new additions?

MR: Rob Hinkle, Michael Allen Williams, and Logan Michaels reprise their original roles of Bob, Doug, and Jorge. Christopher Tracy returns for a cameo as the evil golden android Zake, and Robert Hubbard reprises his role as Leiutenant Ed.

Scream queen Leslie Culton joins the cast as the female lead, Captain Jane Wey, and we were fortunate enough to land John Astin (Gomez from The Addams Family, Attack of the Killer Tomatoes 2) as Professor Peabody. Babylon 5 alumni Jason Carter and the late Richard Biggs play Commander Deckins and Sergeant Franklin. And to finish off the cast, we hired Richard Hatch (Battlestar Galactica) to play cloned news reporters John Alpha and John Beta.

SZ: Highlight a few key members of your production group involved with
Starship II.


MR: Three people made a significant difference from the first film to the second--Jeff Ello, director of photography and also the post production special effects supervisor; Greg Fauvergue, set designer and builder; and key grip Eric Ridge, who provided camera booms, dolly track, and other great toys for me to play with.


Jeff Ello



Greg Fauvergue



Eric Ridge


SZ: What lessons did you learn out of the process of the first film that you have applied to help improve the process of making the 2nd?

MR: I am always learning from my successes and failures, and I knew that we had to overcome the shortcomings from the first film. We shot the first movie on film, and the cost was astronomical for negative and developing and transferring to video. The sets were built from white beaded styrofoam. We built the lights from foamcore and hung them from the rafters with twine. Even minor setups sometimes took an hour. We did the special effects on the Amiga Videotoaster.

The sequel had to have better sets. It had to have exteriors, and it had to have a much larger cast. We shot on miniDV with Canon XL1s and GL1s. We had professional lighting. The sets were made from plywood. Camera setups took minutes instead of hours. "Starship 2" was a radical step up from the original film, featuring a much more sophisticated script, great sets, great special effects, and most importantly, some great actors from Hollywood. The up-front budget for Starship II was $50,000, and the final budget is coming in around $100,000.

SZ: How has having a studio facility helped the process in Starship II? What has it enabled that would have otherwise been too surmounting to attempt otherwise?

MR: We bought the 8,300 square foot building a few years after we wrapped Starship II, but the studio has changed our filmmaking forever. We have shot five movies, two shorts, and several commercials at our facilities. It has allowed us to build sets and leave them standing much longer than borrowed warehouses. I hate to shoot in interior locations any more because the studio is so much more controllable. From electrical to makeup to office space and our kitchenette, everything is right here.

SZ: Your team is tackling an extraordinary amount of effect shots for a film, whether independent or not. Tell us about the number of FX shots estimated in Starship II and some of the challenges you have faced in this area of the production.


MR: Ugh! Yes, Starship II has an exceptional number of effects, that's for sure! At last count, there are over 800 visual effects shots. I made the mistake of allowing the FX guys on set. They got me so excited that we added 100 visual effect shots that weren't in the script! Raising the money to make the movie was a snap. Finding competent special effects artists that can generate usable material to assist Jeff Ello has been nearly impossible. With the exception of Staffon Norling and Ian Strandberg, he has had to scrap or completely redo almost every single effect that was delivered to him.





SZ: Do you have an estimate as to when Starship II will be finished?

MR: Jeff Ello has passed the most difficult portions of the effects work, so we expect completion "around the end of the year." In the meantime, I have worked on five more movies, and one that I co-produced, A Time For the Heart, was premiered at the Imax theater in Indianapolis this past spring to a sell out crowd. I am also in preproduction on three more films, so there is never a dull moment around here.

SZ: When finished, what kind of path are you looking to take Starship II on?(festival circuits? Distribution goals? Etc.)

MR: A successful film producer in Hollywood happens to be the cousin of my primary investor, and we expect that he will be able to point us in the right direction when he sees the completed movie. We are planning a limited theatrical run, and hoping for Sci Fi Channel or Lions Gate to pick us up. Festivals and science fiction conventions are definitely part of the future for Starship II, I'm sure.

SZ: Are there plans already for a Starship III?

MR: Absolutely! Starship II ends with a cliffhanger, so we are compelled to make a Starship III to wrap up the mystery. The script is halfway completed. And Jeff Ello has said that he didn't spend the past several years of his life making special effects for just one movie. With 90% of the effects work already done, the next movie will go much faster in post this time!

SZ: Give us some links for folks to use to find out more and connect with MagicHouse Productions and Starship II online.

MR: You can find Starship II online at: www.starship2.com, and MagicHouse Productions at www.magich.com.


(Starship II Trailer)